Katrina Kaif in Yuvvraaj

Stat Gurus say Katrina Kaif is the goddess of the internet. Type in her name, they say, and the cursor would propel itself towards it. Kats had, long back, dethroned Ash to be become the most "clicked" Indian beauty on the Web.

Come November 21, and Katrina would waltz across a 1000 screens the world over, with her 'Yuvvraj'. We have lined up a dozen Kat photographs, as an appetizer to the 'Yuvvraj' treat.

On Subhash Ghai

Subhashji was the first director I met when I came down here. I am a big fan of his movies. Music is one of the most important things in Hindi films, the first thing is the script In Subhashji's films, like Taal, the music does not come in out, like it cuts and the story starts again. His music runs seamlessly with the story, it entirely supports the story. I think that is a style which is very unique to him He and Rahman Saab have worked incredibly hard on the music. Whenever Subhashji was not working on the movie, he was in Chennai for the music. The music of Yuvvraaj will stay with you. My favourite song is Tu Muskura because it has a magical, ethereal quality; I heard it five times continuously. It has taken a lot out of Subhashji to make this movie, so much tension and hard work.

On her look in the film

Subhashji is known to present his heroines differently. In this film, the styling is very different, costumes are larger than life and elegant the hairstyle is and classic. I trusted Subhash ji's guidance. If I would change anything about my clothes or hair, he would catch me instantly and send me back to my van, 'Go make your hair the way I've told you to!' He is consistent like that and knows what he wants. I hope people like my look in the film.
On having to play the cello

When I first started playing the cello, it was fun but then I'd go on and on and it sounded quite bad so people asked me to stop. I think cinema is a visual medium so it was important for me to get the posture and body language right and match it with the orchestra that was playing behind me. There were two gentlemen in the orchestra who kept guiding me which was great. Now all the chords look correct but if you have to hear me, that is another question. (Laughs)

On working with Salman Khan

It was terrible, it was torturous. I mean everyday…it was fine, yaar. (Laughs) I mean I never get that question 'how was the experience of working with Salman?' I never get it! (Laughs) It was like any other movie, like working with Akshay Kumar, Saif Ali Khan or Bobby Deol. I like to think all of us are professionals. He is very spontaneous as an actor; he is good at his job. Film-making seems very glamorous but actually it is just a job. You have to wake up at seven in the morning, get ready and report on the set at 9 or 10. So it is not all that exciting.
On her favourite co-star

I think Salman Khan said in one of his interviews that Preity Zinta is his favourite co-star so I would say Akshay Kumar. And it's not just because he said it but because sometimes it is just the way it is. There is a certain thing that comes across on the screen. As far as newcomers are concerned, I think Ranbir Kapoor is very talented. I saw Bachna Ae Haseeno and thought he was extremely confident and I enjoyed the film. I am doing a Rajkumar Santoshi film with him and he is very uninhibited. I don't know why now but you just said take a name (laughs)

On her expectations from Yuvvraaj

The scenes which I have seen with Yuvvraaj are of Salman and me. I only had one concern as to how it came across on screen because you cannot judge what you shoot. I was happy because I thought something looked effortless and spontaneous so I hope the audience agrees. I am not a great judge of the future, if I would be then I would be an in demand person and people would come to me to predict the fate of their films. Salman has done a fantastic job in the movie, Anil Kapoor has given a tremendous performance and we have the music supporting us so I want this film to be a super hit. We have done our best and prayed so now it's in the hands of the audience and destiny. Source